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We met through our publishers and clicked immediately.
Ashley later introduced Miranda Lambert to my music.
Unable to ditch a nagging landlord, or locate her AWOL lover, she finds herself “a dollar short and two weeks late.” It’s the most enjoyable pregnancy-scare anthem since Eric Church’s “Two Pink Lines.” Just a few ticks over 30 minutes, the album leaves little room for wrong turns, but there are two.
The roadhouse-ready “Weed Instead of Roses” maps out a romantic weekend full of huffy-puffy-freaky-deakiness.
Monroe’s crystalline voice is capable of lifting the heaviest of lyrics, but it doesn’t sell half-baked S&M.
And the finale, “You Ain’t Dolly (And You Ain’t Porter),” only suffers from bad timing.
Miranda asked me to come hang out, and before I knew it we were all in the studio making a record together.
I’m Ashley Monroe, and they call me “Hippie Annie.” I was born in East Tennessee and have been singing all my life. At first we wrote each other off as “another blonde singer,” but after we heard each other’s music we couldn’t stay away from one another.These two girls came into my life and they too are dreamers.Together we have created and crafted some of the most amazing songs.At 26, she sings like she’s already lived at least two of her lifetimes.
In concert, she’s introduced her album’s title track as a “98 percent true story.” It’s a ballad about a father who died too soon, a romance that burned too fast and the bus ticket that took her away from it all.
The Knoxville native’s “Like A Rose” isn’t just the first great album of 2013 — it’s the first in a cascade of discs from female country singers plotting to dominate annual best-of lists eight months down the road.